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Preplanning museum visit
Teacher should visit the museum before students
do to make use of the following resources:
- images of objects: slides, transparencies,
or postcards,
- map of museum with gallery indicated,
- museum docent or guided tour if available,
- brochures with information about objects
if available,
- museum's Web site.
Teacher can use these resources to prepare
Students can bring to the museum
- sketchbook/notebook and pencils (pens not
allowed)
- camera/ audio recorder
Prior ceramics experience for students is
desirable, but not essential for successful
completion of this project.
It is essential for teachers to become
proficient in raku techniques to ensure
students' safety, if raku methods are used.
The time required to finish this unit may be
weather-dependent if raku methods are used,
because the raku process must be performed
outdoors.
Resources
Books
Brommer, Gerald. Discovering Art
History.
Worcester, MA,1997.
Good source of reference and research material
for all of Asia and beyond.
Nigrosh, Leon. Claywork: Form and Idea in
Ceramic Design. Worchester, MA, . 1975.
Contains easy to understand instructions with
photos; especially good for forms and forming
techniques.
Nigrosh, Leon. Low Fire. Worcester, MA,
1980.
Contains information on firing and kilns for
students and teachers. Good for high school
students with some ceramics experience.
Pippenburg, Robert. Raku Pottery. New York,
1976.
The classic work on raku technique and
aesthetics written by a Michigan artist.
Sapirio, Mark. Clay: Handbuilding.
Worcester, MA, 1979.
Basic ceramics with step-by-step directions
and photos.
Simpson, P., Kitto, L., & Sodeoka, K.
The Japanese Pottery Handbook. Tokyo, 1979.
Contains more than you ever wanted to know
about forms. It is a great idea resource.
Tanaka, Seno. The Tea Ceremony. Tokyo,
1982.
Contains a detailed yet understandable guide
to history, technique, and etiquette of
Japanese tea ceremonies, written by a Japanese
tea master.
Video
Cha-No-Yu: The Way of Tea. Tokyo, 1970-79?
Video cassette, 16 minutes.
Demonstration of a Japanese tea ceremony. For
more information, see the Japanese Cultural
Service (http://www.my.emb-japan.go.jp/EN/jis/vtr.htm).
Ceramic suppliers, southeast Michigan
Runyon Ceramics
P.O. Box 287
Flint, MI 48501
(810) 789-2661
Rovin Ceramics
15333 Racho Rd.
Taylor, MI 48180
(734) 374-0010
There are several reliable, ready-made raku
glazes to create effects similar to the Tea
Storage Jar from Japan. Amaco and Crystalex
glazes, "Brown Earth,"
"Nutmeg," "Oasis,"
"Jet Moss," and "Lava" are
high iron content glazes that create effects
similar to the Tea Bowl from China. Amaco
Majolica Gloss glaze, "Light Green,"
and "Robin's Egg," opalescent glaze,
"Bluebell," and
"Aquamarine" are green celadon-type
glazes similar to those used on the Tea Bowl
from Korea.
Tea Ceremonies
International Institute of Metropolitan
Detroit
111 East Kirby Street
(313) 871-8600, ext. 226
http://www.iimd.org/
Diversity Day programs with native presenters
can be arranged at the Institute or off site.
Japan-America Society
Greater Detroit and Windsor
One Woodward Avenue
P.O. Box 33840
Detroit, MI 48232
(313) 596-0484
jas@detroitchamber.com
http://www.us-japan.org
The Japan-American Society has many
regional chapters and may be able to arrange
Japanese tea ceremony demonstrations.
Other regional resources:
Japanese Cultural Center and Tea House
Parks Division, City of Saginaw
527 Ezra Rust Drive
Saginaw, MI 48601
(989) 759-1648
http://www.saginaw-mi.com/
See link to Japanese Cultural Center and Tea
House.
Fujiisawa Zen Garden
Essex, Ontario, Canada
(519) 776-4459
http://www.zenculture.com/
Teas, Tea Sweets, and Tea Wares
Asian groceries in metro Detroit area:
Chinese
Asia American Supermarket
5963 Wayne Rd
Westland, MI
(734) 728-7456
China Merchandise Corporation
31722 John R Rd
Madison Heights, MI 48071-4655
(248) 588-045
Korean
Seoul Market
23043 Beech-Daly
Southfield, MI
Japanese
Koyama Shoten
37176 Six Mile
Livonia, MI
(734) 464-1480
Noble Fish
45 E. Fourteen Mile
Clawson, MI
(248) 585-2314
One World Market
42705 Grand River
Novi, MI
(248) 374-0844
Make tea in the ancient Chinese Song Dynasty
way, the same method now used in Japanese tea
ceremonies. For powdered green tea, see http://www.bodyofmine.com/tea/Green_tea/Matcha/matcha.htm.
For a black tea bowl, see http://www.holymtn.com/teapots/UTN-2.htm,
and for a tea whisk, see http://www.cherryblossomgardens.com/adtea.asp.
Vocabulary List
click
here to get a Word file of the vocabulary list.
| China |
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Tea/Culture
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cha |
Tea. |
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Ch'an |
Buddhist meditative school
of thought concerned with realizing true
reality through contemplating the notion
of "nothingness." Known as Zen
in Japanese, and Soen in Korean. |
|
Tao or Dao |
Literally
"the way"; Chinese philosophy of the
way of the universe. Tao is the origin
of all creation and the force that lies
behind the functions and changes of the
natural world. This approach to life
focuses on living in harmony with one's
surroundings. |
|
Lu Yu |
Eighth century Chinese tea connoissuer
who made a practice of drinking and evaluating
tea and tea vessels. His book, The Book of Tea
(Cha Jing), judged vessels and kilns throughout
China in terms of their suitability for drinking
tea. |
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Ceramics
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celadon |
Green-glazed ceramics that resemble
jade in color. (See Tea Bowl from Korea.)
Although celadon ware originated in China, the
term "celadon" takes its name from a
seventeenth-century character from French
literature who wore green clothing. |
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Jian ware |
Ceramic wares from a site in the
province of Fujian on the southeastern coast of
China. Jian ware tea bowls featuring finely
streaked iron glazes known as "hare's
fur" are treasured in China and Japan. (See
Tea Bowl from China.) |
|
tao |
Clay. |
Japan |
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Tea/Culture
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Chojiro or Sokei (1516-92) |
Kyoto potter and
tile maker of Korean descent who originated raku
ware. He made raku wares for tea ceremony under
the guidance of the tea master Sen-no Rikkyu. His
tea bowls were simple and unpretentious in
design and shape, and his glazes were lead based
and resembled those of the Chinese Ming dynasty
(1368-1644). |
|
cha-no-yu or chado |
Literally "the way of
tea," referring to the tea ceremony in
Japan. |
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Edo |
The former name for Tokyo. The shogun,
the military dictator of Japan, resided here
during the Edo period (1615-1868). |
|
Toyotomi Hideyoshi (1537-98) |
Japanese general
and regent who unified Japan. He was a tea
aficionado and patronized the tea master Sen-no
Rikkyu (see below). |
|
Kyoto |
Japanese city where the emperor
traditionally resided. |
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matcha |
Powdered green tea.
|
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Sen-no Rikkyu (1521-91) |
Japanese master of
tea etiquette and aesthetics who served the
regent Toyotomi Hideyoshi. His advocacy of
rustic, domestically-produced ceramics for tea
ceremonies greatly influenced the aesthetics and
development of tea wares in Japan. (See Tea
Storage Jar from Japan.)
|
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shogun |
Military dictator of Japan; successive
regimes of shoguns dominated Japanese rule from
1192 to 1867.
|
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Tokkaido |
literally "Eastern Sea
road," a historic highway that connected
Osaka and Kyoto with Edo (now Tokyo) in Japan.
During the Edo period (1615-1868), Tokaido was
heavily traveled by prominent military lords and
samurai for their required visits to the
shogun's court in Edo; also used for the annual
carrying of new tea from Uji to the shogun's
court, known as "the journey of the
honorable tea jars." |
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temae |
Procedure prescribed for making tea
during the Japanese tea ceremony; also refers to
the manner by which the tea ceremony is
conducted. |
|
Tokugawa |
Family name of the military rulers
of Japan during the Edo period (1615-1868).
|
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wabi |
Aesthetic and moral philosophy
advocating the enjoyment of a quiet, leisurely
life and the avoidance of luxury and falsity;
also a key concept in Japanese tea ceremony
aesthetics. |
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Ceramics
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Bizen ware |
Unglazed high fired stoneware
ceramics made in Okayama Prefecture around the
town of Bizen. (See Tea Storage Jar from Japan.)
Bizen vessels often feature glaze streaks from
ash deposits, rope marks, and charcoal-like
patches that impart a distinctive and
spontaneous feel. Bizen vessels have been used
in tea ceremonies since the 16th century. |
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gama |
A general Japanese term referring to a
kiln, which may be prefaced by another word to
specify a particular type, for example, anagama,
norigama, etc. |
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raku |
Clay firing technique using heavily
grogged bodies and manual post-firing reduction
while the pots are red-hot and the glaze is
molten. |
Korea |
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Tea/Culture |
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boricha or horicha |
Roasted barley tea.
|
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charye |
Traditional offering of green tea to
guests or as a tribute during ancestral or
religious ceremonies. |
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Dado or Tado |
The way of tea or Korean tea
ceremony. There are nine difficulties associated
with dado: preparing the leaves, distinguishing
fine teas, obtaining a proper tea pot, locating
good water, tending the fire while boiling
water, steaming and drying the leaves, grinding
the leaves to powder, brewing the tea and
finally, drinking the tea properly. There are
also nine benefits for drinking tea in the dado
manner: clearing a tired mind, sharpened
hearing, clearer sight, enhanced appetite,
awakening of the mind, removing fatigue,
quenching thirst, warming in winter, and easing
heat in summer. |
|
hanbok |
Traditional formal Korean attire for
both men and women, consisting of long skirts
for women, pants for men, and short vested
jackets for both men and women. Worn today for
traditional holidays and important ceremonies
such as the tea ceremony. |
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Ceramics
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Chongja |
Korean celadon ware that reached its
peak in excellence in the 12th century. (See Tea
Bowl from Korea.) This ware has many varieties:
plain, incised, in relief, inlaid, reverse
inlaid, open work, iron-glaze designs, white
slip designs, iron glazed, gold designs, and
glazed with copper.
|
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Chinsa |
Underglaze copper red, found on some
Korean celadon wares. |
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huk |
Clay.
|
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kal |
Cutting tool or knife for clay.
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General Ceramic Terms |
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fire |
To heat clay to
600 degrees F or above to form
ceramic objects. |
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foot |
Part of a pot that rests on a surface.
|
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fuse |
To become joined as one. |
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glaze |
Glass-like coating used on pottery. |
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glost |
The glaze firing. |
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grog |
Ground fired clay used to give clay
greater resistance to thermal stress.
|
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kiln |
A high-temperature furnace for firing
pottery. |
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oxidation |
The process by which oxygen is
absorbed by a material. |
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oxides |
Compounds linking oxygen and metal. |
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quench |
To cool quickly in water. |
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reduction |
The process by which oxygen is
removed from a material. |
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slip |
Liquefied clay, may be mixed with
mineral colorants.
|
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smolder |
To burn without flame. |
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smother |
To prevent oxidation by inhibiting
air supply.
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vitrify |
To melt and become glass-like. |
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wedging |
Method of preparing clay and removing
the air bubbles. |
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